{"id":2720,"date":"2025-10-20T04:21:42","date_gmt":"2025-10-20T08:21:42","guid":{"rendered":"https:\/\/philadelphia-trend.com\/?p=2720"},"modified":"2025-10-20T04:29:02","modified_gmt":"2025-10-20T08:29:02","slug":"american-bandstand-how-philadelphia-created-rock-n-roll-tv-culture","status":"publish","type":"post","link":"https:\/\/philadelphia-trend.com\/en\/eternal-2720-american-bandstand-how-philadelphia-created-rock-n-roll-tv-culture","title":{"rendered":"\u201cAmerican Bandstand\u201d: How Philadelphia Created Rock &#8216;n&#8217; Roll TV Culture"},"content":{"rendered":"\n<p>Before MTV became the ultimate symbol of music culture, there was only one place where teenagers across America learned what to listen to, how to dance, and what to wear: the WFIL studio in Philadelphia. This was the birthplace of a television phenomenon that didn&#8217;t just broadcast music\u2014it shaped the tastes, fashion, and social norms of an entire era. <strong>\u201cAmerican Bandstand\u201d transformed WFIL-TV&#8217;s Studio B into the true epicenter of the rock &#8216;n&#8217; roll revolution<\/strong>, briefly making the \u201cCity of Brotherly Love\u201d the capital of pop culture.<\/p>\n\n\n\n<p>The show was more than just a television program. It was a cultural transformation. Host Dick Clark turned the modest local broadcast into a national phenomenon that, starting in the mid-1950s, not only popularized rock &#8216;n&#8217; roll but also created the first-ever integrated youth television audience. How exactly this show became a key architect of the American mainstream, defining hit parades and shaping teenage fashion for decades to come, is what we explore next at <a href=\"http:\/\/philadelphia-trend.com\">philadelphia-trend.com<\/a>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"770\" height=\"433\" src=\"https:\/\/cdn.philadelphia-trend.com\/wp-content\/uploads\/sites\/52\/2025\/10\/image-34.png\" alt=\"\" class=\"wp-image-2721\" style=\"width:1068px;height:auto\" srcset=\"https:\/\/cdn.philadelphia-trend.com\/wp-content\/uploads\/sites\/52\/2025\/10\/image-34.png 770w, https:\/\/cdn.philadelphia-trend.com\/wp-content\/uploads\/sites\/52\/2025\/10\/image-34-300x169.png 300w, https:\/\/cdn.philadelphia-trend.com\/wp-content\/uploads\/sites\/52\/2025\/10\/image-34-768x432.png 768w, https:\/\/cdn.philadelphia-trend.com\/wp-content\/uploads\/sites\/52\/2025\/10\/image-34-696x391.png 696w\" sizes=\"auto, (max-width: 770px) 100vw, 770px\" \/><\/figure>\n\n\n\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_74 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<label for=\"ez-toc-cssicon-toggle-item-69f27d7de697c\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-69f27d7de697c\"  aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/philadelphia-trend.com\/en\/eternal-2720-american-bandstand-how-philadelphia-created-rock-n-roll-tv-culture\/#From_Local_Favorite_to_National_Phenomenon\" >From Local Favorite to National Phenomenon<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/philadelphia-trend.com\/en\/eternal-2720-american-bandstand-how-philadelphia-created-rock-n-roll-tv-culture\/#The_Dick_Clark_Reboot\" >The Dick Clark Reboot<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/philadelphia-trend.com\/en\/eternal-2720-american-bandstand-how-philadelphia-created-rock-n-roll-tv-culture\/#The_Code_of_Conduct\" >The Code of Conduct<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/philadelphia-trend.com\/en\/eternal-2720-american-bandstand-how-philadelphia-created-rock-n-roll-tv-culture\/#Promoting_Integration%E2%80%94and_Hiding_It\" >Promoting Integration\u2014and Hiding It<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/philadelphia-trend.com\/en\/eternal-2720-american-bandstand-how-philadelphia-created-rock-n-roll-tv-culture\/#The_Hit_Factory\" >The Hit Factory<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/philadelphia-trend.com\/en\/eternal-2720-american-bandstand-how-philadelphia-created-rock-n-roll-tv-culture\/#The_End_of_the_Philadelphia_Era\" >The End of the Philadelphia Era<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/philadelphia-trend.com\/en\/eternal-2720-american-bandstand-how-philadelphia-created-rock-n-roll-tv-culture\/#Impact_on_American_Culture\" >Impact on American Culture<\/a><\/li><\/ul><\/nav><\/div>\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"From_Local_Favorite_to_National_Phenomenon\"><\/span>From Local Favorite to National Phenomenon<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>The story begins in 1952, when a project called \u201cBandstand\u201d premiered on local TV station WFIL-TV. It was a daytime program where teenagers gathered in the studio to dance to popular records. The first host was radio DJ Bob Horn. The show quickly gained immense popularity among the youth of the Delaware Valley\u2014at the time, the third-largest market in the United States, reaching about six million viewers. Horn proved a key principle: <strong>kids love watching other kids dance.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"619\" height=\"395\" src=\"https:\/\/cdn.philadelphia-trend.com\/wp-content\/uploads\/sites\/52\/2025\/10\/image-35.png\" alt=\"\" class=\"wp-image-2724\" style=\"width:1068px;height:auto\" srcset=\"https:\/\/cdn.philadelphia-trend.com\/wp-content\/uploads\/sites\/52\/2025\/10\/image-35.png 619w, https:\/\/cdn.philadelphia-trend.com\/wp-content\/uploads\/sites\/52\/2025\/10\/image-35-300x191.png 300w\" sizes=\"auto, (max-width: 619px) 100vw, 619px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"The_Dick_Clark_Reboot\"><\/span>The Dick Clark Reboot<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>A pivotal moment occurred in 1956. After a scandal involving Horn&#8217;s arrest, his spot was taken by a different, much younger DJ\u2014Dick Clark. Unlike his predecessor, Clark had an <strong>\u201cimmaculately clean, non-threatening image,\u201d<\/strong> which was crucial for a conservative television audience. It was Clark&#8217;s initiative that led to the show being renamed \u201cAmerican Bandstand\u201d and launched it onto the national stage.<\/p>\n\n\n\n<p>The national broadcast on the ABC network took place on August 5, 1957. The show aired at 3 p.m., immediately after the school day ended. The success was instantaneous, with the audience soaring to 20 million viewers. Clark rapidly became one of the most important <strong>\u201ctastemakers\u201d<\/strong> in popular music.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"The_Code_of_Conduct\"><\/span>The Code of Conduct<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>Clark didn&#8217;t just host the show; he strictly controlled the image and behavior of the participants. This was part of a strategy aimed at making rock &#8216;n&#8217; roll acceptable to adults. Clark introduced rigorous rules:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Boys had to wear a jacket, shirt, and tie.<\/li>\n\n\n\n<li>Girls were forbidden from wearing tight sweaters, low-cut necklines, or trousers.<\/li>\n<\/ul>\n\n\n\n<p>These rules turned the <em>American Bandstand<\/em> studio audience into a kind of style template. For instance, many of the girl dancers wore \u201cPeter Pan\u201d collars, which were part of their Catholic school uniforms. This item of clothing even triggered a nationwide fashion trend.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"648\" height=\"365\" src=\"https:\/\/cdn.philadelphia-trend.com\/wp-content\/uploads\/sites\/52\/2025\/10\/image-36.png\" alt=\"\" class=\"wp-image-2727\" style=\"width:1068px;height:auto\" srcset=\"https:\/\/cdn.philadelphia-trend.com\/wp-content\/uploads\/sites\/52\/2025\/10\/image-36.png 648w, https:\/\/cdn.philadelphia-trend.com\/wp-content\/uploads\/sites\/52\/2025\/10\/image-36-300x169.png 300w\" sizes=\"auto, (max-width: 648px) 100vw, 648px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Promoting_Integration%E2%80%94and_Hiding_It\"><\/span>Promoting Integration\u2014and Hiding It<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>While the show was instrumental in promoting music by Black artists, the story of racial integration was controversial. On one hand, giants like Chuck Berry and Sam Cooke debuted on the <em>American Bandstand<\/em> stage, which significantly contributed to the advancement of racial equality in the music environment.<\/p>\n\n\n\n<p>However, the policy for accessing <a href=\"https:\/\/iphiladelphia.net\/en\/eternal-17688-philadelphia-how-brotherly-love-became-the-name-of-an-american-metropolis\" target=\"_blank\" rel=\"noopener\">the Philadelphia<\/a> dance floor was discriminatory, and Black teenagers rarely made it into the studio. This inconsistency between the performing artists and the audience makeup became a subject of protest. Clark himself later claimed to have \u201cintegrated\u201d the show, but music historians emphasize that <strong>the real struggle for desegregation was waged by Black youth in Philadelphia<\/strong> who demanded access.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"1203\" src=\"https:\/\/cdn.philadelphia-trend.com\/wp-content\/uploads\/sites\/52\/2025\/10\/image-37.png\" alt=\"\" class=\"wp-image-2730\" srcset=\"https:\/\/cdn.philadelphia-trend.com\/wp-content\/uploads\/sites\/52\/2025\/10\/image-37.png 1600w, https:\/\/cdn.philadelphia-trend.com\/wp-content\/uploads\/sites\/52\/2025\/10\/image-37-300x226.png 300w, https:\/\/cdn.philadelphia-trend.com\/wp-content\/uploads\/sites\/52\/2025\/10\/image-37-768x577.png 768w, https:\/\/cdn.philadelphia-trend.com\/wp-content\/uploads\/sites\/52\/2025\/10\/image-37-1536x1155.png 1536w, https:\/\/cdn.philadelphia-trend.com\/wp-content\/uploads\/sites\/52\/2025\/10\/image-37-696x523.png 696w, https:\/\/cdn.philadelphia-trend.com\/wp-content\/uploads\/sites\/52\/2025\/10\/image-37-1068x803.png 1068w, https:\/\/cdn.philadelphia-trend.com\/wp-content\/uploads\/sites\/52\/2025\/10\/image-37-265x198.png 265w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"The_Hit_Factory\"><\/span>The Hit Factory<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>The program&#8217;s impact on the music business was colossal, transforming it into a genuine breeding ground for young talent. An appearance on <em>American Bandstand<\/em> guaranteed an artist national attention, which, in turn, generated record sales. The show became the first national platform for a whole galaxy of artists.<\/p>\n\n\n\n<p>For example, this is where the television debuts of stars such as:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Paul Anka<\/strong> (August 1957)<\/li>\n\n\n\n<li><strong>Buddy Holly<\/strong> (August 1957)<\/li>\n\n\n\n<li><strong>Jerry Lee Lewis<\/strong> (August 1957)<\/li>\n<\/ul>\n\n\n\n<p>In addition, Clark actively promoted Italian-American teenage idols from South Philadelphia, such as Frankie Avalon and Bobby Rydell, who became mainstream successes.<\/p>\n\n\n\n<p>In the video below, Clark himself introduces the names that were discovered for the whole world right on his broadcasts.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"10 Performers who used American Bandstand for their National Television Debut\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/MXoleRmvrPw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"The_End_of_the_Philadelphia_Era\"><\/span>The End of the Philadelphia Era<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>The <em>American Bandstand<\/em> period in Philadelphia lasted until 1964. The reasons for the move were multifaceted:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Shifting Music Center.<\/strong> By the early 1960s, Los Angeles had become the new \u201cheart\u201d of the industry, especially due to music focused on surfing and car culture.<\/li>\n\n\n\n<li><strong>Clark&#8217;s Business Interests.<\/strong> The star host sought to expand his activities in television production and a film career, which required a presence in Hollywood.<\/li>\n\n\n\n<li><strong>Transition to Weekly Format.<\/strong> In August 1963, ABC moved the show from a daily to a weekly Saturday broadcast. This reduced its impact as a \u201crevealer of potential hits\u201d and stripped it of its daily \u201cspontaneity.\u201d<\/li>\n<\/ul>\n\n\n\n<p>In February 1964, the program left Studio B on 46th Street and relocated to Los Angeles, where the show continued until 1989, ultimately cementing its status as a television legend.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"480\" src=\"https:\/\/cdn.philadelphia-trend.com\/wp-content\/uploads\/sites\/52\/2025\/10\/image-38.png\" alt=\"\" class=\"wp-image-2733\" style=\"width:1068px;height:auto\" srcset=\"https:\/\/cdn.philadelphia-trend.com\/wp-content\/uploads\/sites\/52\/2025\/10\/image-38.png 640w, https:\/\/cdn.philadelphia-trend.com\/wp-content\/uploads\/sites\/52\/2025\/10\/image-38-300x225.png 300w, https:\/\/cdn.philadelphia-trend.com\/wp-content\/uploads\/sites\/52\/2025\/10\/image-38-265x198.png 265w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Impact_on_American_Culture\"><\/span>Impact on American Culture<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p><em>American Bandstand<\/em> is significantly more than just a television show about dancing. <strong>It is the living history of American youth culture, fashion, and music.<\/strong> For nearly four decades, the show served as a powerful cultural litmus test, defining what was \u201ccool\u201d for an entire generation.<\/p>\n\n\n\n<p><em>Bandstand<\/em> didn&#8217;t just showcase hits\u2014it created them. For an artist, an appearance on the show was a ticket to national recognition. It was the most important platform that allowed the music of Black performers, such as Chuck Berry and James Brown, to reach a predominantly white audience in prime time. In this way, <strong>the program played a key role in breaking down racial barriers in pop music<\/strong>, integrating rock &#8216;n&#8217; roll and soul into the mainstream.<\/p>\n\n\n\n<p>The show standardized the concept of \u201cpopularity\u201d and became a mirror in which American teenagers saw themselves. It taught them how to dance, how to dress, and how to socialize. From bouffant hairstyles to trendy dance moves, <strong>Bandstand was the unparalleled trendsetter.<\/strong><\/p>\n\n\n\n<p>The show&#8217;s influence is eternal. It set the precedent for all subsequent music television programs, from <em>Soul Train<\/em> to MTV. Today, when we look at dynamic, multicultural, and musically oriented media, we see a direct legacy of <em>American Bandstand<\/em>. This show didn&#8217;t just reflect a changing America\u2014it helped create it.<\/p>\n\n\n\n<p>Below are key aspects of the iconic Philadelphia program:<\/p>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><td><strong>Aspect of Influence<\/strong><\/td><td><strong>Description<\/strong><\/td><td><strong>Formative Period (Philadelphia)<\/strong><\/td><\/tr><tr><td><strong>Market Formation<\/strong><\/td><td>The first national television platform focused exclusively on teenagers ($9 billion consumer market).<\/td><td>1957\u20131964<\/td><\/tr><tr><td><strong>Musical Integration<\/strong><\/td><td>Gave Black artists (Chuck Berry, Sam Cooke) unprecedented national visibility on commercial TV.<\/td><td>Late 1950s<\/td><\/tr><tr><td><strong>Fashion and Dance<\/strong><\/td><td>Created and disseminated national dance crazes (The Twist, The Jitterbug, The Stroll), as well as unified teenage clothing style.<\/td><td>1957\u20131962<\/td><\/tr><tr><td><strong>\u201cCleaning Up\u201d Rock &#8216;n&#8217; Roll<\/strong><\/td><td>Presented rock music to parents as \u201csafe\u201d entertainment supervised by a \u201cclean-cut\u201d host.<\/td><td>1957\u20131960<\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Before MTV became the ultimate symbol of music culture, there was only one place where teenagers across America learned what to listen to, how to dance, and what to wear: the WFIL studio in Philadelphia. This was the birthplace of a television phenomenon that didn&#8217;t just broadcast music\u2014it shaped the tastes, fashion, and social norms [&hellip;]<\/p>\n","protected":false},"author":362,"featured_media":2700,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[155],"tags":[1896,1908,1915,1909,1913,1895,1914,1903,1916,1897,1906,1917,1273,1901,1912,1470,1910,1898,1904,1911,1902,1905,1900,1899,1918],"motype":[160],"moformat":[24],"moimportance":[35],"class_list":{"0":"post-2720","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-muzika","8":"tag-american-bandstand-philadelphia","9":"tag-bandstand-era-philadelphia","10":"tag-chuck-berry","11":"tag-cultural-phenomenon","12":"tag-dance-show","13":"tag-dick-clark","14":"tag-history-of-philadelphia","15":"tag-hit-parades","16":"tag-mtv-3","17":"tag-musical-integration","18":"tag-musical-mainstream","19":"tag-paul-anka","20":"tag-philadelphia","21":"tag-pop-culture-philadelphia","22":"tag-racial-barriers","23":"tag-rock-n-roll","24":"tag-rock-n-roll-epoch-philadelphia","25":"tag-rock-n-roll-revolution-philadelphia","26":"tag-south-philadelphia","27":"tag-studio-b-philadelphia","28":"tag-teen-fashion","29":"tag-teenagers-of-philadelphia","30":"tag-tv-culture-philadelphia","31":"tag-wfil-studio-philadelphia","32":"tag-trendsetter-en","33":"motype-eternal","34":"moformat-longrid-korotka","35":"moimportance-retranslyacziya-v-agregatory"},"_links":{"self":[{"href":"https:\/\/philadelphia-trend.com\/en\/wp-json\/wp\/v2\/posts\/2720","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philadelphia-trend.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/philadelphia-trend.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/philadelphia-trend.com\/en\/wp-json\/wp\/v2\/users\/362"}],"replies":[{"embeddable":true,"href":"https:\/\/philadelphia-trend.com\/en\/wp-json\/wp\/v2\/comments?post=2720"}],"version-history":[{"count":1,"href":"https:\/\/philadelphia-trend.com\/en\/wp-json\/wp\/v2\/posts\/2720\/revisions"}],"predecessor-version":[{"id":2736,"href":"https:\/\/philadelphia-trend.com\/en\/wp-json\/wp\/v2\/posts\/2720\/revisions\/2736"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/philadelphia-trend.com\/en\/wp-json\/wp\/v2\/media\/2700"}],"wp:attachment":[{"href":"https:\/\/philadelphia-trend.com\/en\/wp-json\/wp\/v2\/media?parent=2720"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/philadelphia-trend.com\/en\/wp-json\/wp\/v2\/categories?post=2720"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/philadelphia-trend.com\/en\/wp-json\/wp\/v2\/tags?post=2720"},{"taxonomy":"motype","embeddable":true,"href":"https:\/\/philadelphia-trend.com\/en\/wp-json\/wp\/v2\/motype?post=2720"},{"taxonomy":"moformat","embeddable":true,"href":"https:\/\/philadelphia-trend.com\/en\/wp-json\/wp\/v2\/moformat?post=2720"},{"taxonomy":"moimportance","embeddable":true,"href":"https:\/\/philadelphia-trend.com\/en\/wp-json\/wp\/v2\/moimportance?post=2720"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}